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While the album is MMW's first for the classic jazz label, Blue Note Records, the tracks find the keyboard, drum, and bass combo looking toward the future of music, not the past. Indeed, the opening track is one of three collaborations with turntable wizard DJ Logic, who playfully scratches his arsenal of noises around John Medeski's organ riffing, while bassist Chris Wood and drummer Billy Martin provide the beats. Like most experiments, the result is not always successful; Logic's contributions are sometimes more of a distraction than an improvement. But when it works, like in the gentle build-up at the center of "Start-Stop," the outcome is exhilarating.
| Medeski, Martin & Wood |
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| Combustication Blue Note Records 4 stars Reviewed by |
Other experiments like the spoken-word collaboration "Whatever Happened to Gus" and the church organ reading of Sly Stone's (or is that Toyota's) "Everyday People" are less successful, but the album is nicely balanced with tunes reflecting the MMW of past albums.
The playful organ and funky bass of "Hey-Hee-Hi-Ho" and "Coconut Boogaloo" are sure to keep the prep school hippies dancing through the night.
But let those hippies beware: "Combustication" is not as danceable or instantly accessible as "Shack-man." By means of a willingness to experiment, Medeski Martin and Wood send a musical message to their audience: don't just dance ... listen.
09-09-98
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